Photo: Humtour

Sustainable travel opportunities in the countryside

Tourism, humanitarian-style

Stroking alpacas in a national park, rowing in a canoe or trying a spoonful of honey directly from the beehive – sounds like something new to try, right? These activities are part of the program offered by Ágnes Szabó-Diószeghy and her company Humtour. All of their offers revolve around the topics of protecting the flora and fauna, farming, adventure and handicrafts.

A glass-blowing workshop, basket weaving, cheese tasting, watching the bees at work, bird watching on the Tisza lake for a day, meeting the alpacas at Őrség National Park, exploring a cave… the list of programs offered by Humtour is long. All of them are reasons good enough to go to the countryside.

Growing consciousness

The vegetarian and vegan lifestyle is an ever-growing trend, and companies are paying more and more attention to environmental aspects – no wonder that people are increasingly looking for more sustainable travel opportunities too. Eco-tourism relies on the principle of offering touristic attractions without affecting the locals in a negative way. Service providers such as Humtour want to raise consciousness about local- and environment-friendly travelling.

Ágnes Szabó-Diószeghy got the idea for Humtour from her own travel experiences, most importantly her backpacking. (Photo: Humtour)

Humtour was founded six years ago as a small project of an organisation that wanted to enhance tourism in the countryside. There was a growing customer demand for this concept. Besides offers in Hungary, they organise trips to the Czech Republic, Poland and Slovakia.

This also corresponds to the fact that Humtour is working closely with the United Nations Environmental Program, or more specifically with the Secretariat of the Carpathian Convention. The aim of this organisation is to ensure sustainable development in the Carpathian Region.

Backpacker experience as a basis

Szabó-Diószeghy got the idea for Humtour from her own travel experiences, most importantly her backpacking. “We used to live with a family, helped them with the work around the farm and we enjoyed the local specialties,” she says. The name of her travel agency comes from an abbreviation of Humanitarian Tourism.

(Photo: Humtour)

“Our ideal partners are farms that are able to offer workshops for producing agricultural products.” This can result in a win-win situation: while tourists are enjoying themselves they are able to try locally produced products, and the farm can sell more of its produce. The list of offers is constantly expanding. The Humtour farms receive professional support to prepare an appropriate presentation of their offers.

Teambuilding in a different way

Humtour’s offers are not only interesting for tourists, they can also be used as teambuilding events. Szabó-Diószeghy is always personally present at the activities. And she has no real favourites among the offer: “I always think that my favourite one is the one I am currently participating at.”

(Photo: Humtour)
Photo: Facebook/ Eger

Excursion tip: Eger with its castle and minaret

In the Ottomans’ footsteps

The historical city of Eger is characterised not only by its beautiful architecture but its exciting history as well. The northern Hungarian settlement was ruled by the Ottomans for 91 years during the 16th and 17th centuries, and today visitors still like to follow in the path of the invaders.

When you visit Eger, every road leads to the castle, leaning beautifully over the city. It was built in 1248 and is considered one of the most important historical buildings there.

Defying Ottoman superiority

Back in the days when Buda had already fallen to the Ottomans, the Eger castle managed a success in 1552 that went down in Hungarian history. A Turkish army of 40,000 soldiers tried to take the fortress but its captain, István Dobó, beat them back with only 2000 men.

Despite this great success the city still fell to the invaders 44 years later. And even today many memories of the days of Turkish rule can be found in Eger, including the statue of Dobó standing on the square named after him.

Well-preserved minaret

One such relic is the minaret that was part of a mosque. You can find it close to the central Dobó István tér. This is the construction furthest north in all Europe from the Ottoman period. After Eger was reconquered in 1687 the minaret was supposed to be demolished by the power of several hundred oxen. However, there was a change of mind and the tower remained. Of the three remaining minarets in Hungary, this one is the best preserved.

You can climb the 90 steps of the almost 40-metres-high minaret for HUF 400, giving a splendid view of the whole city.

Wedding plans in the steam room

An impressive construction with a red dome – this is what the traditional Valide Sultana (which means “mother of the sultan”) steam bath used to look like. Men and women – strictly separated – met there to release everyday stress and to converse in a relaxed atmosphere.

Furthermore it was customary that the mothers of available young bachelors came to the bath to look for the right bride for their sons. Since everyone was naked at the bath, the older women were able to evaluate better how fit the girls were and if they could deliver healthy offspring.

After the Ottomans had gone, the Valide Sultana was used for grain storage and as a residential building, among other uses. Nothing remains from the once-glorious bathing culture but you can still visit the ruins of the building, which is operated by the Castle Museum that is also named after István Dobó.

If you would still like to relax in a Turkish bath, you should absolutely visit 3 Fürdő utca. Here you will find six pools, out of which the oldest was built in 1610. The architecture is quite impressive: the large mirror pool is covered by a beautiful dome decorated by almost 200,000 golden mosaic plates.

This is an ideal place to close an exciting day in which you will have learned a lot about the Ottoman rule in a Hungarian city.

Gallery

  • Photo: eger.hu

  • Photo: kirandulastervezo.hu

  • Photo: kirandulastervezo.hu

  • Photo: Nóra Halász

  • Photo: visiteger.hu

Photo: MTI

Hungary winning again 100 years after Trianon: Orbán

‘Great times’ out of defeat

Prime Minister Viktor Orbán has said Hungary is "winning again" in a speech at the inauguration of a monument in Sátoraljaújhely, in the northeast of the country, to mark the 100th anniversary of the Trianon Peace Treaty. "There is not a single nation in the world that could have endured such a century, but we have not only endured, today we are winning again," he said.

“The era of a hundred years of solitude is over,” Orbán said. “It is uplifting that we have allies again, we have good neighbours and we can prepare for the future together.” Orbán said the next decade will not be about eclipses and losses but about prosperity and nation-building.

“It is our generation that can turn the fate of Hungary, that can complete the mission and bring the country to the gates of victory, but the decisive battle must be fought by the generation after us, they must take the final steps.” It would not be easy but it would be worth it: “Great times are ahead of you”.

Speaking at the “Hungarian Calvary”, a monument to the cities lost to Hungary after the Trianon treaty was signed, Orbán said Hungarians had not disappeared but had “established a homeland here, preserving our unique quality”.

He said: “We defended ourselves against the attacks of the Western empires, we recovered from the devastation left by the pagans from the East, defining and maintaining our place in Europe. Hungary was a strong and independent state for 400 years, then we struggled against the Ottoman Empire for 300 years, then after 200 years of failed uprisings and fights for freedom we entered the gates of the 20th century as a partner nation of a great European empire.

“Although many Hungarians fell on the battlefields over the centuries, the whole world could see that if we are struck down we stand up again and again.”

Orbán said women have a special place at the Hungarian Calvary as they have “always made up for our losses. We owe it to our women that the art of survival and nation-building is in our genes. We owe it to them that we are the European champions of survival.

Photo: MTI

“We did not become a German province, a Turkish vilayet (administrative division) or a Soviet republic. We Hungarians are a great, culture-building and state-organising nation.” Hungary had later been “stabbed in the back by the conspiracies in Budapest” and “the country was handed over to our enemies, the government to the Bolsheviks.

“The West raped the thousand-year-old borders and history of Central Europe. They forced us to live between indefensible borders, deprived us of our natural treasures, separated us from our resources and made a death row out of our country.

“Central Europe was redrawn without moral concerns. We will never forget that they did this. After World War II we were thrown to the communists without heartache. The reward of the Poles, the Czechs and the Slovaks was the same as our punishment. May this be an eternal lesson for the peoples of Central Europe,” Orbán said.

“There have been many who wished to bury Hungary [but] we were never willing to attend our own funeral. Today there is no Czechoslovakia, no Yugoslavia nor a Soviet Union. There is no British or French empire. We Hungarians, on the other hand, will remain … We remain because we are at home. We are at home and therefore we remain.

“Hungarians are contracting and expanding like the human heart, but we have been living for a thousand and a hundred years where our great state founders chose our place. We need to live with the self-confidence and attitude of a nation that knows it has given more to the world than it has received from it. Our performance entitles us to continue our history. And today we also need to know that we have had worse borders, yet we are here,” he added.

“We are happy to build the common future with Slovakia, Serbia, Croatia and Slovenia, which are proud of their national identity. History has given the chance, perhaps the last, for the peoples of Central Europe to open a new era.”

In the last ten years, Orbán said, we have proven to our neighbours that if the vitality of the Hungarian national fragments adds up, it is good not only for us but also for them. “Only the state has borders, the nation does not. Those who have yet to understand it would do better to hurry because they’re running out of time.

“We haven’t been this strong in a hundred years. Our political, spiritual, economic and cultural gravitational force is growing day by day. The return of Hungarians has begun. Strength comes with responsibility, and we are aware of the weight of our responsibility.

“We express our heartfelt gratitude and our highest appreciation to our separated national communities for a century of endurance and loyalty to the Hungarian nation and their homeland.”

The Treaty of Trianon

The Treaty of Trianon was prepared at the Paris Peace Conference and was signed in the Grand Trianon Palace in Versailles on June 4, 1920. It formally ended World War I between the Allies, or Entente – consisting primarily of France, Great Britain, Italy, Russia and later the United States – and the Central Powers, primarily comprised of Austria-Hungary (the Habsburg Empire), Germany and the Ottoman Empire (Turkey). French diplomats played the major role in designing the treaty, with a mind to establishing a French-led coalition of the newly formed nations. It regulated the status of the independent Hungarian state and defined its borders generally within the ceasefire lines established in November-December 1918 and left Hungary as a landlocked state that included 93,073 square kilometres, 28% of the 325,411 square kilometres that had constituted the pre-war kingdom of Hungary (the Hungarian half of the Austro-Hungarian monarchy). The new kingdom had a population of 7.6 million, 36% compared to the pre-war kingdom’s population of 20.9 million. Though the areas that were allocated to neighbouring countries had a majority of non-Hungarians, in them lived 3.3 million Hungarians – 31% – who were now in a minority status.

Linguistic, cultural minority rights must be protected, say Hungarian organisations

The linguistic and cultural rights of minority communities deserve legal protections, an NGO representing Hungarian national minority organisations in Western Europe has said in a memorandum sent to Members of the European Parliament (MEPs) and other minority organisations in Europe.

The president of the Federation of Hungarian Associations and Organisations, Ernő Deák, sent the memorandum to 17 national minority organisations and to all MEPs in four languages – German, French, English and Hungarian – calling on governments to ensure the peaceful development of minorities in all areas of life based on a coordinated, balanced reconciliation of interests.

The spirit of democratic pluralism and the linguistic and cultural diversity of Europe must be protected, he wrote, adding that it was natural to make a reassessment of minority rights in light of the 100th anniversary of the post-World War One Trianon treaty, and place them on a new footing based on full equality.

The Chain Bridge lit up with the colours of the Hungarian flag on the 100th anniversary of the Treaty of Trianon. (Photo: MTI)

Linguistic and cultural communities formed during historical processes and as a result of “arbitrarily drawn” state borders, should be preserved, the memorandum said. Minorities, like national nations, should enjoy full political, legal, social and cultural equality. The unequivocal task and duty of the European Union was to implement these principles.

Párbeszéd: Trianon synonym of ‘injustice’

The deputy group leader of opposition Párbeszéd called the Trianon Peace Treaty of 1920 a “synonym of injustice” and “a national tragedy” at a party commemoration of the centenary in Budapest. “It does not matter who is right-wing or left-wing, liberal, green or conservative this time, because Trianon is an all-Hungarian affair. Everyone must respect the pain caused by a historical trauma and the human destinies Trianon broke,” Bence Tordai said in his address.

Trianon’s main message is that nobody can be allowed to be excluded from Hungarian society, “yet there are some who would do exactly that today”, he said. “Some people reserve the right to say who is a real Hungarian and who is not. And there are some who easily and regularly brand others as traitors and the enemies of the Hungarian nation because they have a political opinion different from theirs. I call them the champions of division and hypocrisy.”

He said that one hundred years after Trianon “we must turn to a Europe without borders, where countries represent their interests together as a community, where they are not burdened by tensions, where culture can freely trespass borders and everybody can be a Hungarian without suffering disadvantage for it”.

Jankovics drawings on display

An exhibition showing hundreds of drawings by acclaimed graphic artist and director Marcell Jankovics has opened in Budapest. It marks the centenary of the Trianon Peace Treaty by displaying the drawings about major events in Hungarian history from the start of Ottoman Turkish occupation in 1526 to the Trianon signing in 1920. In his opening address, house speaker László Kövér said Hungary “is in the midst of a change in mentality to learn to be ourselves”. The exhibition, only available online when this edition of the Budapest times went to press, will show until July 26 in Pesti Vigadó.

Budapest mayor Gergely Karacsony

Budapest mayor lambasts government budget bill

‘Treachery’ raises tension

The government's 2021 budget bill would "extremely seriously" impact not only local governments but local communities too, Budapest Mayor Gergely Karácsony has said, adding that the budget is "against the interests of the nation". Since the unveiling of the bill, the situation between the opposition-led capital and the government has again deteriorated.

Karácsony said the government was using the coronavirus crisis “to destroy the local government sector”, which he suggested is the only remaining “counterbalance” to centralised powers. Referring to provisions in the draft, Karácsony said that stripping municipalities of their 50 per cent share in the centrally collected vehicle tax and increasing the municipalities’ solidarity tax would have a “dramatic” impact on local communities.

Concerning the latter tax, Karácsony said Budapest currently pays an annual HUF 10 billion to the central budget, which could grow nearly four-fold in future. On the other hand, the mayor said, Budapest’s public transport revenues have dwindled and the same could happen to local business tax revenues, the city’s primary revenue source.

Karácsony said he was aware the central budget is also impacted by the current recession, but “we still think that this was a deliberate political decision aimed at creating a difficult situation for municipalities, which cannot be explained by the country’s financial situation”.

The budget bill was “not only anti-democratic but it will make eliminating the social and economic crisis much more difficult too”, and he would do everything to thwart the draft in its current form. The mayor called the bill “a draft of treachery” and cited Prime Minister Viktor Orbán as saying on “innumerable occasions” that the government would not take measures that the Budapest council found unsatisfactory.

Balázs Fürjes, the state secretary for the development of BudapestBudapest.

Commenting on Karácsony’s criticism, Finance Ministry state secretary Péter Benő Banai said Budapest municipal council, being “one of the most well-off local councils”, had a duty to contribute to the budget’s expenditures. Banai suggested that Budapest could afford to pay higher “solidarity contributions”, the municipal council having taken in almost HUF 164 billion in corporate tax revenues last year.

He said Karácsony had failed to mention that the capital is obliged to contribute only 85 percent of what it would be required to pay based on its tax capacity. Neither had the mayor mentioned that next year local councils would receive an additional HUF 7 billion in public funding for carrying out compulsory local government tasks.

“Surprise” postponement

After the budget debate, the government fired the next bullet over the postponement of the renovation of the capital’s iconic Chain Bridge. In a letter to Karácsony, Balázs Fürjes, the state secretary for the development of Budapest and the metropolitan area, expressed surprise over the mayor’s announcement on Facebook of the city’s decision to postpone the project indefinitely.

In the letter the state secretary quoted Karácsony as saying publicly last December that “the renovation cannot be postponed any longer” and in January this year that it “cannot be delayed for too long”. Fürjes also referred to the mayor banning heavy vehicles from the bridge “to prevent … further deterioration”.

Fürjes said the recent announcement was “in sharp contrast” to Karácsony’s earlier statements and to the recommendations of an emergency status report prepared by engineers at the mayor’s request last December. He said Karácsony had given the government a copy of the report indicating its conclusion that the renovation could not be postponed any longer, given that the bridge “is in very poor condition”. Highlighting the severe corrosion of the iron structure, the report said any delay would drastically increase costs and could ultimately eliminate the option of renovation.

The Budapest Municipality said in response that the renovation is still a priority but unplanned spending on coronavirus protection, cuts in central allocations and losses in revenues have created a new situation requiring a review of several projects. “The renovation of Chain Bridge is such a project which, despite remaining a priority, needs to be reviewed in terms of its costs and technical content, as well as regarding the bridge’s future function,” Deputy Mayor Dávid Dorosz said.

Road renovations ‘political decision’

The Fidesz mayor of Budapest’s Csepel district, Lénárd Borbély, accused Karácsony of making a political decision by cancelling funding allocations for road renovations in four districts whose mayors are allied with the parties running the national government. Borbély held a joint press conference with ruling party mayors Péter Kovács from the 16th district and Tamás Horváth from the 17th district, and independent Ferenc Bese from the 23rd district.

Budapest wants to use City Hall as a temporary shelter for the homeless.

Borbély said Karácsony cited lost revenues resulting from the novel coronavirus when making “a personal decision” to amend the city’s 2020-2023 road renovation plans. As a result, projects that have already received the necessary permits will be cancelled in districts that are not allied with Karácsony’s political camp, he asserted.

Dorosz said that “unlike the practice of the previous city leadership” the incumbent administration had taken a decision concerning road renovations “based strictly on technical rather than political considerations”. When planning renovations, the city considers the physical condition of roads, their importance, as well as environmental factors, he said.

In the previous cycle some districts, led by Fidesz mayors, could “successfully lobby to have as much as 20 percent of their roads renovated while some other districts could not renew a single square metre”, the deputy mayor insisted. “The current decision is a lot more equitable.”

Homeless in City Hall

Karácsony “cannot open a homeless shelter in the City Hall, a registered monument”, the government’s local office has stated, after officially rejecting a municipal proposal. Setting up a shelter in the 18th-century building would violate zoning rules, the government office said. Further, City Hall was in a World Heritage area frequented by tourists. As for tourism, a homeless shelter “in the middle of the inner city” would not be “fortunate”.

The municipality responded that it will “certainly challenge the decision”. Karácsony said on Facebook: “We will open the shelter and protect homeless people not only from the epidemic but also from those who represent insensitive and heartless policies.” Homeless people have been successfully protected from infection in the first phase of the coronavirus pandemic but preparations are now needed for a potential second wave, he said.

Overcrowding in homeless shelters must be reduced and temporary shelters set up, the mayor said. A section of the City Hall slated to house the Budapest Gallery could be used for temporary shelter, but “the government office wants to prevent this based on made-up excuses”, he added.

Photos: MTI/Origo/Wikipedia

Château Béla in Slovakia, a Heritage Hotel of Europe

Raring to go, heading for the horizon

Three months of coronavirus lockdown is enough to make anyone stir-crazy. We're desperate to get out and about again, to go somewhere, anywhere really. Finally, it is a big relief when the borders reopen. We have a booklet of "Historické Hotely Slovenska, a collection of the best historic hotels in Slovakia", and here we find Château Béla, a mere 10 kilometres over the border from Esztergom, so it will get us out of Hungary and into a foreign land with a minimum of effort.

If the borders reopened only this month, June 2020, Hotel Château Béla itself reopened only a couple of weeks later and just days before our visit. Perfect, then, and once across Esztergom’s Mária Valéria bridge over the Danube it is a pleasant sunny drive past roadside fruit and nut trees and through fertile riverside surroundings.

Tractors are at work in the attractive southern Slovakian landscape, the fields growing corn, sunflowers, potatoes, poppies and, we see by accident when taking a photo, someone’s small marijuana crop. Grapes too, which will have a significance on arrival at Hotel Château Béla.

The hotel, more manor house than fortress, turns out to be easily the biggest, best-preserved and most important building in the village, a small one-shop community of barely 10 streets. While we are reluctant to employ the cliché of this being a place where time has stood still, the hotel has its own chapel and the four clocks on each side of the chapel tower are all frozen at 3.05 (whether p.m. or a.m., we know not).

There is some interesting history here. Béla, we read, was first mentioned as a settlement in 1138, although it seems that no one can really say exactly how old the castle is. What is known is that there were many owners of the chateau before the invasion of the Turks in the 16th century, and these marauders left the settlement entirely destroyed and unpopulated.

This remained the case until the early 17th century. In 1732 reconstruction of Château Béla was begun by Janos Terstyansky, a local nobleman, in French Baroque style. The château’s chapel was consecrated in 1780 and it still functions today as the local church, and a popular spot for weddings.

In 1810, Baron Adolf von Ullmann, a nobleman from Budapest, bought the château and in 1925 his son Georg Ullmann inherited it, using it as a summer residence. The socialist government of Czechoslovakia expropriated the property in 1945 and turned it into a “penalty facility” for political prisoners, then a factory for chemical production. Ultimately, it dissolved into disrepair.

Even though the castle has seen a lot over the centuries, it apparently was never as bad as in the time of communism, when all the original features were destroyed, the walls were painted with lime and the furniture was burnt. As noted in the history of the place, in 1990 the château became part of the National Trust, but in reality there was nothing to protect.

Countess Ilona von Krockow, granddaughter of Georg Ullmann, was unable to obtain restitution from the Slovak state and had to buy back the property, in 2000. The building was basically a wreck but the countess determined on a loving restoration into a fine hotel in an authentic and personal way.

Her aim was to give guests a taste of aristocratic life, rather than the mundane feeling of being in an impersonal hotel, and when Hotel Château Béla finally opened in 2008 she had achieved the desired atmosphere of luxury, calm and warm hospitality. The effort required can be seen in the museum room, where “before” photos and such items as original, damaged doors can be seen. These decorative doors were faithfully reproduced.

An arched entry, a porte-cochère, opens into the courtyard of the splendid property, which is set amid 28 hectares of pleasing parkland, with woods to walk in, three lakes, rose and herb gardens, an outdoor swimming pool, two dirt tennis courts, a children’s playground and a collection of Hereford cattle, sheep and ponies. We fail to spot the peacocks, which must be keeping under cover.

Outside our room’s windows, there is a circular pond surrounded by lavender, white roses and box hedges, and one of the lakes. Fountains fire up at 8am and frogs supply a chorus. Creepers climb the walls and we wish we knew the names of all the wonderful shrubs and trees. The gorgeous flowers are seasonal, so there is always something in bloom throughout the year. There are lawns and white gravel paths, with a small team of gardeners to keep it all spick and span.

Terraces allow for al fresco dining and steps with a wrought-iron balustrade lead up from the well-tended gardens into the grand hall, the Fresco Room. This had lime-covered walls, and when the restorers moved in they discovered a series of paintings showing local sights, such as Esztergom’s Basilica and Visegrád’s castle. Here is also found the Hotel Château Béla’s one remaining original piece of furniture, an elaborate table holding the guest book, discovered during the restoration in the chapel where it had been hidden.

On either side of the hall are rows of classical salons, including a room for playing bridge and a library, and these and the corridors create the warm 19th-century mood desired by the countess, head of a German family, who busily bought up period furniture, paintings and ornaments by the score. Corridor niches contain statues, walls are adorned with African wooden masks from the family collection, there is an old rocking horse here, an ancient wheelchair there. The salons in particular are the embodiment of a romantic castle.

The 44 rooms and suites are all different but all characterised by warm materials. Five types of accommodation are offered, and our first-floor room under the roof was spacious enough to include two huge wooden beams supporting the roof. A whole succession of such beams extends all along one corridor, giving a real time-gone-by feeling.

Like any self-respecting luxury hotel, Château Béla has a premium gastronomic concept in its Restaurant Baldacci, and the ornate Orangerie Ballroom hosts large celebrations and weddings. We discover that some of those vineyards spotted on the way into the village are owned by the family, and supply the hotel’s winery, the Vinotheca. It produces notable reds, whites and rosés, not to mention pálinka, and the various cups and certificates it has won are on display.

Down in the basement are discovered not dungeons and chains but rather a fitness and wellness centre with a gym, Finnish sauna and steam room. Massages are available. There is a private cinema with large individual armchairs, table tennis, snooker and table football.

Hotel Château Béla offers “best price” packages such as the Power of Silence, which takes advantage of the calm rural setting, Gourmet Dreams and the Romantic Package, with picnics in the grounds. The hotel was voted the Heritage and Romance Award winner in 2013 and 2018, given by the Heritage Hotels of Europe. There will be yoga weekends in September and October.

After opening in 2008 the hotel was confronted by the global financial crisis, and now it needs to recover from the coronavirus. Hundreds of years of history have been survived, and It is again on its way back.

Hotel Château Béla

Belá, Slovakia
Phone: +421 (0) 36/7577600, +421 905 502 345
Email: reservation@chateau-bela.com
Website: www.chateau-bela.com

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Initiative to safeguard guests during pandemic

Kempinski hotels debut White Glove Service

From luggage cleaning to bespoke face masks, luxury hotel brand Kempinski has unveiled a new "white glove" hygiene strategy to ensure anti-viral stays.

As Covid-19 continues to threaten traveller confidence around the world, hotels have begun instating new standards of cleanliness in a bid to assure prospective guests. Since reopening a number of its hotels in April, Kempinski has introduced “White Glove Service”, a cleaning charter that outlines new hygiene measures to fight the spread of coronavirus.

Innovations include sanitising stations, luggage cleaning on arrival and professional air purifiers in all hotels, in addition to enhanced cleaning – from disinfecting “high-touch points” such as light switches and TV remotes, to washing room keys. All employees will wear gloves and bespoke Kempinski-branded masks, which are also on offer to guests in case they forgot to pack some.

Staff will remain at least 1.5 metres away from guests to ensure social distancing, and furniture in public spaces will be arranged so that people aren’t too close to one another.

Another good idea is the option of long-term “privacy” signs (in addition to temporary “Do not disturb” signs) to signal that staff should not enter a guest room for the duration of their stay. Room-service deliveries will be left outside the door and no in-room cleaning will take place after check-in unless guests request it.

Benedikt Jaschke, chief quality officer for Kempinski, says: “While we need to give guests full confidence in the cleanliness and disinfection of our premises and reflect the seriousness of the current situation in all aspects of our daily operation, we are eager to continue and even surpass our dedicated service à la Kempinski.

“The list of measures to be taken is long and very complex. But appropriate and strictest hygienic standards on a very high level are key to reassuring our valued guests that a stay at any Kempinski hotel worldwide during or post-coronavirus lockdown offers an environment of full safety in any respect without sacrificing our high standards of professional luxury service.”

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Mistress Wind art exhibition by Tímea Szabó

From landscapes into a deeper world

A series of erotic paintings by Tímea Szabó of Gyöngyös has gone on display with the title Szél Úrnő (Mistress Wind) at Műterem Kávézó in District VIII under the auspices of the Gallery of Young Artists.
26. June 2020 8:32

The exhibition will run until August 31, and at the opening on July 11 the artist offered some details about herself. She said: “I am Tímea Szabó, I came from Gyöngyös, from the bottom of the Mátra. I am not a trained painter, although I have been interested in everything related to the work since I was a child.

Artist Tímea Szabó and Péter Bézi of the Gallery of Young Artists at the exhibition opening.

“It was my dream to go to art school but my parents directed me to an economic career. So I only drew for myself for a long time, and I also made jewellery. Later I tried to make my first pictures with acrylic paint.

“A real shift came in 2015 when I met a local lady painter who showed me the technique of oil painting. I fell in love so much that I have been painting with oil ever since. I have had several teachers and masters in recent years – Margit Gréczi, Tibor Tornyai, Olívia Kakas – for whose help and support I am grateful.”

Szabó continued: “At first I mostly painted landscapes, with which I won several competitions, then I switched to a slightly different, more interesting, more attractive painting trend for me. I like to experiment with materials, with textures. I like to show a slightly deeper world through my paintings.

“I have shown this direction in several exhibitions in Gyöngyös, where the Furnace Tavern and the G&D confectionery opened their doors with me at the Opel Hotel. I was present in Mátrafüred at the Anna Hotel, Markaz, Visonta, Nagyréde and I also had the opportunity to show what I do in the Kuti Gallery in Pest.”

The exhibition has a selection of both her older and newer works. The artist thanked Péter Bézi, the head of the Gallery of Young Artists, for his support. Music was provided at the opening by bouzouki artist Angelidisz Vasilisz (Zeus).

Műterem Kávézó

19-21 Tavaszmező utca
Budapest, District VIII

Colombia coffee donation.

Embassy donation aims to ease strain on hospital staff

Colombian coffee combats COVID

Staff at Szent János Hospital in Buda, who have been dealing with the stress of looking after COVID-19 patients, have received some relief in the form of 20 kilograms of Colombian coffee, donated by the Colombian Embassy in Hungary and enough to brew some 1800 cupfuls.

The embassy staff, led by Ambassador Carmenza Jaramillo, delivered the Jaramillo Café brand to the hospital on July 16, where it was received by the Director-General, Dr. Péter Takács. Ambassador Jaramillo said the purpose of the donation was to send a message of support and appreciation for the hard work of the hospital staff during these difficult times of pandemic.

Colombian Embassy personnel at Szent János Hospital.

Dr. Takács told the embassy delegation that Szent János Hospital had been chosen as the second health institution to care for and treat people identified with COVID-19 in Hungary.

During the pandemic more than 400 persons have been treated there, Dr. Takács said, and it had exclusive areas and personnel for these patients. At the moment, only five were being treated for the infection, which remains a threat.

Colombian Embassy personnel at Szent János Hospital.

He added that the hospital is the only one which, in addition to serving patients infected with COVID -19, has continued to operate without interruption in traumatology, cardiology and emergency care, among other afflictions.

The Jaramillo Café website tells of five generations of coffee expertise since 1877, saying the Jaramillo family continues to harvest the very finest coffee from the lush green slopes of the Coffee Triangle in Colombia – “a true family business where expert knowledge and techniques have been handed down across the generations”.

Szent János Hospital Director-General Dr. Péter Takács and Ambassador Carmenza Jaramillo (centre).

The Colombian Coffee Triangle, also known as the Coffee Zone or Coffee Belt, consists of three departments: Caldas, Risaralda and Quindio, of which Manizales, Pereira and Armenia are the most important towns. This region is famous for producing the majority of Colombian coffee, often considered the best in the world.

“Maigret’s Patience” by Georges Simenon (published by Penguin Books)

Some cases take longer than others

Budapest is often called the “Paris of the east”, a tag that is supposed to flatter but is in fact rather patronising; after all, no one ever refers to Paris as the “Budapest of the west”. We thought of this while having our monthly dose of the “Maigret” books.  In the very early 1990s, Budapest posed as Paris for 12 television programs starring Michael Gambon as the famous French detective, and then in 2016-17 Rowan Atkinson arrived to play the part for four episodes. For film-makers, Budapest is the “cheap Paris of the east”.
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Gambon, who’s British, made a good fist of playing the Frenchman, and Budapest made a very passable Paris. It’s good fun watching these dozen programs and trying to spot where in the city they were filmed. One of the 12 Gambons happens to be “The Patience of Maigret”, which we had just read, so we watched it again and most of the action centred around the Batthyány Eternal Flame.

This representing 1950-60s “Paris”, market stalls had been set up, a horse and cart passed through and Maigret pulled up in an iconic Citroen Traction Avant, the model with the two upside-down “V”s on the radiator and running boards. But, as in the book, no “old-style bus with a platform pulled up at [Maigret’s] stop, so he could continue smoking his pipe as he watched the streets and the pedestrians gliding by”. Whenever the Danube can be spotted in the background, it’s a fair bit wider than the Seine. The Chain Bridge, the Duna Corso and the Little Princess statue are a bit of a giveaway too.

“Maigret’s Patience” was the 64th of the 75 “Maigret” books written by Belgian author Georges Simenon between 1931 and 1975. The original was “La Patience de Maigret” in 1965. As has been well-publicised in The Budapest Times, all 75 are being reissued one a month by Penguin with new translations. The project began in September 2013 and “Maigret’s Patience” is reissued this February 2019. There are, then, 11 more books to come, and despite Penguin’s insistence that “2019 marks the final year” of one of its most ambitious and extensive undertakings ever, according to our calculations number 75 will come in January 2020. Time will tell.

It’s the incidentals that we like in the “Maigrets”, as much as the actual plot. “Maigret’s Patience” opens at his flat in Boulevard Richard-Lenoir in summer and the Detective Chief Inspector and Mrs. Maigret have returned from Meung-sur-Loire, where they were working on the house they have been setting up for years “in anticipation of the day when, according to the regulations, Maigret was due to retire. In just over two years’ time! At the age of fifty-five! As if a man of fifty-five, who has never had a day’s illness in his life and doesn’t suffer from any infirmity, becomes overnight no longer capable of running the Crime Squad!”

Only 11 books to go, then, and Maigret, the indomitable solver of murders galore, will be put out to pasture. Sherlock Holmes became a beekeeper after handing in his magnifying glass, but, alas, we will never discover how Maigret will pass his more predictable hours. Only 11-plus murders to go, for Simenon usually gives us at least one a book, and in the case of “Maigret’s Patience” there are two.

The great man is having to be patient because for more than two years there have been unsolved, carefully orchestrated robberies from jewellery shops, involving young men smashing the front windows in daylight, grabbing the goods and escaping in a waiting car. No one is ever caught and the swag never turns up. In fact, the case will eventually be referred to as Maigret’s longest investigation, because it actually goes back 20 years, when he became interested in a certain Manuel Palmari, a Corsican crook who had started small as a pimp. Maigret is sure Palmari is behind the jewel robberies but can never prove anything. But when Palmari is suddenly murdered, and then another person in the same apartment building, the Detective Chief Inspector finally gets the breakthrough he needs.

For nearly two hours he goes through the building from top to bottom, from one end to the other: polite, patient but as obstinate as a door-to-door salesman. “As Maigret moved from one floor to the next, it was as if he was passing through a sort of Paris in miniature with the same contrasts as when you go from one neighbourhood or street to another … Dozens and dozens of questions, and just as many replies for Maigret to log in his memory. And from this pile, a few, maybe just one, would become significant at some point.”

When Maigret hones in on his suspects, he keeps them isolated, under permanent watch by his inspectors, with their phones tapped and thus no means of communication. Above all they are afraid: “Each of them in a cage, walking in circles, waiting for Maigret’s next move.”

By now, we know how our man operates. As his fellow inspector Janvier observes: “The previous day, Maigret had thrown himself into the case with a cheerful frenzy, drawing the protagonists out of the shadows, turning them over in his fat paws like a cat playing with a mouse and then putting them back in their corners. He was sending inspectors this way and that, as if he didn’t have a plan, telling himself that something would emerge.
“Then suddenly he wasn’t playing any more. The man sitting next to Janvier was a whole different person now, a human mass on whom no one had any purchase, an almost frightening monolith.”

And when it’s all over: “The world around Maigret was starting to return to life. He heard the sounds of the street once more, noticed the reflections of the sunlight and slowly relished the taste of his sandwich.”

As always, we love Simenon’s libidinous obsession with women (remember our previous advice, to google “Simenon 10,000”): “Outside, the air was sizzling, and the women looked like they weren’t wearing anything under their light dresses”, and “She was tall, sturdily built and, because of the heat, was wearing only pyjamas, her breasts showing through the half-open jacket. She felt no compulsion to button it up.” The obligatory prostitutes are always hanging around, a profession with which Simenon was well acquainted.

(PS: We are still trying to summon up the courage to watch the four “Maigrets” filmed with Rowan Atkinson. We understand that many actors don’t like to be typecast, but we have a horrible suspicion that no matter how many times funny man Atkinson looks gruff and puffs on his pipe, we will still see the rubber-faced Mr. Bean beneath the fedora. Still, we’ll probably take the plunge one day, if only to enjoy identifying the filming locations in the “Paris of the east”.)

 

Hanna Harlamova at the 987 Km crossing, Aromatna - Pavlograd distance, Cisdnieper railways. / Natallia Volodymirivna Mosoian, 950 km crossing, Blyznyuky – Dubovo distance, Donetsk railroad. (Photos: Sasha Maslov)

“Ukrainian Railroad Ladies” stand proud in portrait book

Right side of the tracks

Ukraine has long been consumed by turmoil: political prosecutions, a stalemated war in the east and the loss of its territory to an aggressive Russian neighbour, not to mention rampant corruption and a troubled economy. It’s easy to understand, then, why people here pay little attention to the women they see from their train windows, standing at attention at railway crossings and often holding a folded yellow flag — a sign to the train engineer that all is well on the tracks ahead.
25. June 2020 21:07

In Ukraine, railroad traffic controllers and safety officers – about 80 percent of whom are women – spend long shifts in small dedicated buildings beside the tracks.

In many respects, the buildings are more like homes than offices. Personal touches line the interiors: religious artifacts, calendars, bicycles, photographs, lace curtains – even, in some cases, cats and dogs.

Some buildings were inherited from the Soviet Union; others were built after independence.

Railroad crossings in Ukraine are almost fully automated – and yet the railroad women persist. They act as a kind of safety net, one that, for now, the Ukrainian railway companies have deemed as still necessary.

Most of the women I met were happy to be noticed and photographed, since their work is so often overlooked – even if it’s very much on display. Some, however, were uncomfortable with the attention. A few declined.

The women spend most of their time in solitude, working 12-hour shifts every two or three days, depending on their location.

Sometimes, though, especially in small villages, a station can become a kind of social hub, where fellow residents come to say hello and spend a few minutes catching up.

The women are paid about 8000 Ukrainian Hryvnia per month, or a little over USD 300. Ukrainian Railways is a state-owned commercial enterprise; these are government jobs.

After war broke out in 2014, when Russian-backed separatists seized territory in eastern Ukraine, the crime rate rose throughout the country, and some of the railway buildings were vandalised. Since then, some have been covered with protective wiring.

While the country and the world are consumed with larger, more pressing issues, the women with their folded yellow flags play a big – if silent – role in everyday life.

In a storm, it’s often hard to see the lighthouse. Ukraine’s railroad ladies are a kind of lighthouse: a symbol of how certain things in this country stand firm in the present as a defiant nod to the past.

Unfazed by the passing of trains and time, they are here to stay.

Sasha Maslov is a Ukrainian-American portrait photographer and storyteller based in New York City. His work has been exhibited in various photo galleries and art spaces around Europe and the United States. Maslov is a regular contributor to a number of magazines and leading publications in New York and around the globe and is actively pursuing work on his documentary projects. His book “Veterans: Faces of World War II” was part of a worldwide project to interview and photograph some of the last surviving combatants from World War II.

 

“Ukrainian Railroad Ladies”is published by Osnovy Publishing

About Osnovy Publishing

Osnovy Publishing is an independent publisher in Kyiv, Ukraine, founded in 1992. Osnovy is one of the most important publishing houses in Ukraine. In the 1990s they published the first Ukrainian translations of world classics, everything from Aristotle to Kerouac. Today they are famous for beautiful books on travel, architecture, and design, such as “Soviet Modernism. Brutalism. Post-Modernism. Buildings and Structures in Ukraine 1955-1991”, “Decommunized: Ukrainian Soviet Mosaics”, “Balcony Chic” and the “Awesome” series city guides.